TransAction Theatre Company
'Performance from the Periphery'
Questioning the boxes that divide and rule us, beyond binaries and borders, in solidarity and politics of allegiance

Charitable Mission Statement
TransAction collaborates with diverse artists to create a touring programme of high quality multi-art form queer-feminist performance. Our vision is to create performance from the periphery that continually responds to and reflect the diversity within contemporary culture.
About
TransAction creates innovative, transformative, cross-cultural queer performance about issues of inclusion, equality, identity, intersectionality and empowerment.
We work with diverse orgs, art-activists, interdisciplinary experts and marginalised grass-root communities.
Joey Hateley is the Artistic Director, with the stage name The Gender Joker, who collaborates with marginalised artists to write, direct, devise and perform interdisciplinary, accessible multi-media theatre.

Credit Holly Revell Photography
Current Work
TransMology
The story of how 'Joey met Harry', in a
pocket watch portal through space-time
The new accessible multi-media performance based of the true story of Harry Stokes, the Victorian Pioneer of Transcestory and Human Rights in Manchester UK
Support the Charity: 1112104


Please help us collectively educate, inspire and unify through entertainment, outreach workshops, participation and inclusive practice, to affect positive social cohesion and cultural change.
Please support the vital work to make this groundbreaking project visible for all to see live and online, for future generations and decades come. The new multimedia version of Harry's life is just beginning from 250 years ago, in politics of allegiance. 'United we stand, divided we fall.'
Previous project partnerships since 2004
TransAction has collaborated with many partner's, organizations and performed at venues including, Contact Theatre, RSC, The Everyman, The Factory International for MIF R&D, CCA, Oval House London, BBC Radio4, Arnolfini, Hackney Empire, Dadafest, The Bluecoats, The Royal Vauxhall Tavern, The Arena, godrag! Festival English Theatre Berlin, Homotopia, Liverpool Playhouse Theatre, Unity Theatre, Vital Xposure, Z-Arts, IOU, FilmPro, CAN, SpeakEasy, The National Theatre South Bank and The Young Vic London.
Media, Quotes and Publications
‘A stirring performer that throws some serious light on a current taboo.’ Time Out, London at Oval House
“Incisive and insightful work… that rips up our notions of gender and asks us to start again” DIVA
‘Joey Hateley performs so many different identities, we don’t know what box they are in anymore!’ LatinArt
"Thank you to the TransAction Theatre Company." Prof Stephen Whittle, OBE, FAcSS, Press for Change
"Joey Hateley is a very talented performer...the most willing I have ever met to put their body on the line." Peggy Shaw
"The Gender Joker is a shooting star! Style, talent and panache combines to not only educate and entertain but illuminate what could otherwise be a dark and dreary political passage." Del LaGrace Volcano
“Gender subversion at its most political and sexy!" Chloe Poems
“Tender, playful, provocative, and visceral... a wonderful example of compassion and diversity in action.” Kaite O’Reilly, playwright
"Joey Hateley is a highly skilled performer." Diane Torr
“Dynamic, moving AND funny. This work has it all !” Greg Thorpe, GAZE LGBTQ+ Film Festival Director
“PHENOMENAL." Mo B. Dick, Drag King History, USA+
“Really powerful and strong, showing all the different levels and layers of how drag is not just a show or entertainment; but full of depth in real life stories that not a lot of people know about - WOW!” Bridge Markland @godrag! English Theatre Berlin
“Finally we get to tell OUR stories. We have been around forever - and always will be. Joey puts their heart and soul into performance.” Mzz Kimberly
"Joey Hateley could be the next Jean Genet." Vaginal Davis
"An androgynous appearance adds magic to ‘herms’ performances in which transformations unfold layer upon layer of gender constructions. Is he a he? Is she a he? Is he a she? Is she a she? Joey interferes with our assumptions and speculations, leaving the audience unsettled, entertained and curious." Diane Torr, (2010) co-author Sex, Drag and Male Roles; Investigating Gender as Performance. University of Michigan Press.
“Continuing to press the personal into political service using performance as a consciousness raising tool, Hateley mixes the factual with the fictional in making explicit the impact of discourse on the bodies, lives and identities we inhabit”. Deirdre Heddon (2008) Autobiography and Performance, Joey Hateley, ‘The Endurance of the Personal’. Palgrave MacMillan, Hampshire & New York.
